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C00007 00004	John M. Chowning
C00011 00005	John M. Grey
C00015 00006	James A. Moorer
C00018 00007	Loren Rush
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Leland C. Smith

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BORN:	August 6, 1925 in Oakland, California.

EDUCATION:
	Musical studies with Darius Milhaud, Mills College, 1941-43, 1946-47.
	A.B. & M.A. (Music) with Highest Honors, University of California, Berkeley, 1946-48.
	Musical studies with Olivier Messiaen, Paris Conservatory, 1948-49.

AWARDS AND FELLOWSHIPS:
	Various undergraduate and graduate fellowships,	1946-48.
	Phi Beta Kappa, 1948.
	Mills College commission for centenial celebration.
	Fromm Music Foundation comission for Boston Symphony Players.
	Copley Foundation Award.
	Fulbright Senior Research Grant, to compose in France, 1964-65.

PROFESSIONAL EXPERIENCE:
	Assistant to Roger Sessions, University of California, Berkeley, 1950.
	Bassoonist: Chicago Symphony, San Francisco Symphony Orchestra, the orchestras of the
	     Chicago and San Francisco Opera Companies and the New York City Ballet, 1950-59.
	Instructor, Mills College, 1951-52, summer sessions of 1953, 1956 & 1957.
	Assistant Professor of Music, University of Chicago, 1952-58.
	Associate Professor of Music, Stanford University, 1958-1968.
	Professor of Music, Stanford University: In charge of Doctoral program in musical composition;
	     Taught a variety of music history and theory courses, including computer applications.
	     1968 to present.

RECENT PUBLICATIONS:
	%5Score, A Musician's Approach to Computer Music,%D J. Audio Eng. Soc., Jan-Feb, 1972.
	%5Editing and Printing Music by Computer,%D Journal of Music Theory, Fall, 1973.
	%5Henry Cowell's `Rhythmicana,'%D Yearbook for Inter-American Research, 1973.

RECENT PUBLIC LECTURES:
	Lectured on computer music at Colgate University, Columbia University, Michigan State, Univ. 
	of Nevada, Univ. of Calif. at Davis, Univ. of Calif. at San Diego, Calif. Institute of the Arts,
	Paris U.S.I.S, Yugoslav Composers' Union at Belgrad and Zagreb. 1969-74.

MAJOR PERFORMANCES:
	%5Symphony I,%D San Francisco Little Symphony (four performances).
	%5Santa Claus%D (opera, libretto of e.e. cummings), Univ. of Chicago (four performances).
	%5Concerto for Orchestra,%D Orchestra of America, Richard Korn cond., Carnegie Hall, N.Y.
	%5Machines of Loving Grace%D (for computer, bassoon and narrator), Town Hall, New York City.
	%5Rhapsody for Flute and Computer,%D many performances in Europe and U.S.A.

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John M. Chowning

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BORN:	August 22, 1934 in Salem, New Jersey.

EDUCATION:
	Navy School of Music and  Military Service, 1952-55.
	Bachelor of Music, Wittenberg University, Springfield, Ohio, 1959.
	Studies in composition and theory with Nadia Boulanger, Paris, 1959-62.
	M.A. (Music) Stanford University, 1964.
	D.M.A. (Doctor of Musical Arts) Stanford University, 1966.

AWARDS AND FELLOWSHIPS:
	IBM Graduate Fellowship, 1964.
	Stanford Wilson Fellowship, 1965.
	National Endowment for the Arts Fellowship Grant, 1973.
	Guest Artist, City of Berlin, 1974.

PROFESSIONAL EXPERIENCE:
	Co-director, Society for the Performance of Contemporary Music, 1962-66.
	Lecturer in Music, Stanford University, 1966.
	Asistant Professor of Music, Stanford, 1967-74.
	Director, Computer Music and Acoustics Group, Stanford, 1966-74.

RECENT PUBLICATIONS:
	%5The Simulation of Moving Sound Sources,%D J. Audio Eng. Soc. 19,2-6, 1971.
	%5The Stanford Computer Music Project,%D Numus-West 1, 1972.
	%5The Synthesis of Complex Audio Spectra by Means of Frequency Modulation,%D
	     J. Audio Eng. Soc. 21,526-534,1973.

PUBLIC LECTURES AND PERFORMANCES:
	%5Computer Music,%D Radio Broadcast, KCBS, San Francisco, 1965.
	%5New Directions in Musical Composition: Computer Generated Music,%D
	     lecture-demonstration, Stanford, 1965.
	%5Computer Generated Music,%D lecture-demonstration,
	     Interdisciplinary Computer Symposium, Stanford, 1966.
	%5Composer and Computers: The Significant Possibilities,%D
	     lecture-demonstration, American Musicological Society, Stanford, 1966.
	%5Sabelithe II,%D computer composition in 4 channels, performance, Stanford, 1971.
	%5Turenas,%D computer composition in 4 channels, performance, Stanford, 1972.
	%5Turenas,%D lecture-performance, Berlin & Darmstadt, 1972.
	%5Turenas,%D lecture-performance, Stockholm, Paris, Marseilles & Utrecht, 1973.
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John M. Grey

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BORN:	February 2, 1947 in Glendale, California.

EDUCATION:
	Studied piano and music theory with Lowndes Maury, 1964-70.
	B.A. (Psychology and Music) Magna cum Laude, with Highest Departmental Honors,
	     University of California, Los Angeles, 1970.
	Studied harpsichord with Margaret Fabrizio, 1970-73.
	Ph.D. Candidate (Psychology) Stanford University,
	     dissertation: %5On the Perception of Music Instrument Tones.%D

AWARDS AND FELLOWSHIPS:
	Various undergraduate fellowships, University of California, Los Angeles, 1966-70.
	California State Scholar, 1966-71.
	National Science Foundation Fellowship for Undergraduate Research, 1969.
	Woodrow Wilson Fellow, 1970.
	Phi Beta Kappa, 1970.
	Various graduate fellowships, Stanford University, 1970-74.
	Sigma Xi Fellow, 1971.
	Sigma Xi Research Grant, 1971.

PROFESSIONAL EXPERIENCE:
	Teaching Assistant (Psychology), Stanford University, 1970-74.
	Computer Programmer, Music Education, Stanford University, 1972.
	Consultant, computer music, Colgate University, l973.

PUBLICATIONS:
	%5Consonance of Pure-Tone Triads in Temporal Isolation and in Sequences,%D
	     (with W. J. Dowling) Journ. Acoust. Soc. Amer., in revision for publication (1974).

PUBLIC LECTURES AND PERFORMANCES:
	%5Consonance and Pleasantness of Tones in Temporal Isolation and in Sequences for
	     Musicians and Non-Musicians,%D Western Psychological Association, Los Angeles, 1970.
	%5The Computer Generation and Graphic Representation of Instumental Timbres,%D
	     Project for Music Experiment: Conference on Computer Programming in Music,
	     University of California, San Diego, 1973.
	%5Computer Generated Sound for Music and Research in Acoustics,%D Syracuse University, 1973.
	%5Time Boxes,%D computer composition in 2 channels, performance, Stanford, 1971.
	%5New Loops,%D computer realization of score by Robert Erickson in 2 channels, performance,
	     Michigan State University, 1974.
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James A. Moorer

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BORN:	November 25, 1945, in Hollywood, Florida.

EDUCATION:
	Musical studies: Florida State University, 1962-63; Boston University, 1966; M.I.T.,1967.
	S.B. (Electrical Engineering) M.I.T., 1967.
	S.B. (Applied Mathematics) M.I.T., 1968.
	Ph.D. Candidate (Computer Science) Stanford University,
	    dissertation: %5On the Segmentation and Analysis of Continuous Musical Sound.%D

PROFESSIONAL EXPERIENCE:
	Systems Programmer, Education Research Center, M.I.T.,1966-68.
	Head of Systems Programming, Stanford Artificial Intelligence Laboratory, 1968-72.
	Research Assistant, Stanford Artificial Intelligence Laboratory, 1972 to present.

PUBLICATIONS:
	%5Music and Computer Composition,%D Communications of the ACM, Vol.15,2,1972.
	%5The Optimum Comb Method of Pitch Period Analysis of Continuous Digitized Speech,%D
	     Stanford Artificial Intelligence Laboatory Memo 207, July 1973.
	%5The Heterodyne Filter as a Tool for Analysis of Transient Waveforms,%D
	     Stanford Artificial Intelligence Laboatory Memo 208, July 1973.

PUBLIC LECTURES:
	%5On the Digital Signal Processing Aspects of Computer Analysis and Synthesis
	     of Music Instrument Tones%D, Carnegie-Mellon University, 1973.

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Loren Rush

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BORN:	August 23, 1935 in Fullerton, California.

EDUCATION:
	B.A. (Music) San Francisco State University, 1957.
	M.A. (Music) University of California, Berkeley, 1960.
	D.M.A. (Doctor of Musical Arts) Stanford University, 1969.

AWARDS AND FELLOWSHIPS:
	George Ladd Prix de Paris Scholar in Music, 1960-62.
	Fromm Music Foundation commission, Tanglewood,l964.
	First mention, Royaumont International Composition Competition, France, l965.
	Various graduate fellowships, Stanford University, 1966-69.
	Rome Prize Fellowship, American Academy in Rome, 1969-71.
	Prince Pierre of Monaco Musical Composition Award, 1971.
	John Simon Guggenheim Memorial Fellowship, 1971.
	National Institute of Arts and Letters Award, 1971.
	San Francisco Symphony Orchestra commission, 1973.
	National Endowment for the Arts Fellowship Grant, 1974.

PROFESSIONAL EXPERIENCE:
	Associate Music Director, KPFA-FM, Pacifica Foundation radio, Berkeley, Calif., 1957-60.
	Instructor of Music Composition and Theory, San Francisco Conservatory of Music, 1962-67.
	Organized and directed Performer's Choice, performance group, 1963-65.
	Organized and directed the San Francisco Conservatory Artists Ensemble, 1966-69.
	Member, Computer Music and Acoustics Group, Stanford, 1966-69.
	Acting Lecturer in Music, Stanford University, 1967-68.
	Chairman, Composition Department, San Francisco Conservatory of Music, 1967-69.
	Visiting Scholar, Stanford Artificial Intelligence Laboratory, 1971-present.	
	Composer in Residence, San Francisco Symphony Orchestra Summer Music Workshop, 1973.

PUBLICATIONS:
	%5Nexus 16 %Dfor chamber orchestra, Editions Jobert, Paris, 1966.
	     Recorded for Wergo (Germany) by the San Francisco New Music Ensemble, 1971.
	%5Oh, Susanna %Dfor piano, Editions Jobert, Paris, 1972.
	%5String Quartet in C# Minor,%D in press, Editions Jobert.

MAJOR PERFORMANCES:
	%5Dans le Sable,%D Rome Symphony Orchestra, Ferruccio Scaglia cond., Rome, 1973.
	%5Nexus 16,%D Lincoln Center Ensemble, Dennis Russell Davies cond., New York, 1972.
	%5The Cloud Messenger,%D San Francisco Symphony Orchestra, Seigi Osawa cond.,
	     San Francisco, Leningrad, Vilnius & Moscow, 1973.
	%5I'll See You in My Dreams,%D San Francisco Symphony Orchestra, Niklaus Wyss cond., S.F.,1973.